Wednesday, June 13, 2007

'Cheeni Kum' : Sugar-free Sarcasm

Hindi movies are getting more and more real. Till sometime back, certain themes were kept locked inside the almirah, but delicate and sensitive issues and relationships are slowly stepping out of the closet. On celluloid R. Balki's Cheeni Kum talks of two consenting adults wanting to spend the rest of their lives together. But there's a hitch... The groom-to-be is elder than the prospective father-in-law. This relationship is highly objectionable to the bride's father!
Contrary to general perception, Cheeni Kum is not similar to RGV's Nishabd. Like Nishabd, Cheeni Kum looks at the relationship between a much older man and a young woman, fit to be his daughter. But, unlike Nishabd, Cheeni Kum stresses on humor to drive home the point. Also, the culmination -- so vital in a film of this genre -- is not difficult to gulp since the sequence of events that lead to the climax are believable.
On the flip side, Cheeni Kum tends to get verbose, talk heavy at times. Besides, the first hour tends to stagnate. It only sprints towards the second hour when Amitabh pops up the question. More on that later!
In a nutshell, a film like Cheeni Kum signifies the winds of change in Bollywood. An effort like this is sure to find its share of bouquets and brickbats. The elite wouldn't mind the film, the commoners might.
The boy is actually a 64-year-old man, Buddhadev Gupta [Amitabh Bachchan]. The girl is a 34-year-old woman, Nina Verma [Tabu].
Buddhadev is the chef cum owner of London's top Indian restaurant. He lives with his 85-year-old mother [Zohra Sehgal] and his only friend and confidante is his 9-year-old neighbor -- Sexy [Swini Khara]. Buddhadev is an arrogant, egoistic, pompous man with a singular passion in life -- cooking. A confirmed bachelor who has never been in love. Until Nina walks into his restaurant and life.
Nina is a beautiful, charming, Indian woman. Cool, calm, quiet, always smiling, but independent and strong willed. Two extremes, in age, character and attitude, meet and against all odds fall in love. They decide to get married. And, like any Indian man, Buddhadev respectfully comes to ask Nina's father, Omprakash Verma [Paresh Rawal], living in Delhi, for her hand.
But there's just one problem... Nina's father is 58 years old, 6 years younger than Buddhadev, his would be son-in-law.
Let's get into the analyzing mode and find out what works and what doesn't... The sequences between Amitabh and Tabu at the restaurant are involving. The relationship that Amitabh shares with his mother does raise eyebrows, since it's not conventional. Nonetheless, it's amusing. The moments between Amitabh and the child bring to fore another aspect of the protagonist's personality, which is welcome.
What doesn't? A number of sequences have been stretched for no reason. They tend to get repetitive. As someone who's watching the story from the sides, you want it to proceed in some direction, but there's not much movement in the first half. It takes its own sweet time to reach its destination. Besides, since the film is set in London and the setting is urban, the humor depicted in Cheeni Kum is directed at the elite. That, in turn, robs the film of universal acceptance.
Director Balki shows a flair for light entertainers and the execution of certain sequences is commendable. The portions between Amitabh and Paresh [before Amitabh asks for Tabu's hand] as also the climax [Amitabh's monologue] prove Balki's competence as a storyteller. But at the same time, the writing leaves something to be desired. There are times when boredom sets in.
P.C. Sreeram's cinematography is splendid. Ilaiyaraaja's musical score is soothing. The title track is soft on your ear drums. Chandan Arora's editing could've been sharper. Ideally, a few repetitive moments can be done away with.
Amitabh Bachchan proves his supremacy yet again. Playing an arrogant chef, the actor is natural all through, but his performance in the finale makes the character all the more believable. Tabu stands on her feet despite a formidable co-star's domineering presence. She's excellent. Paresh Rawal is only adding to his credibility with every film. Zohra Sehgal is adorable. Swini Khara is supremely confident.
On the whole, Cheeni Kum is absorbing in parts. A lackluster first half gets a boost with a much energetic second half and that elevates the film to the watchable level. At the box-office, Cheeni Kum is targeted at the multiplexes mainly. Clever promos and feel-good vibes should ensure a positive run at the multiplexes.

Tuesday, June 12, 2007

Shoot Out at Lokhanwala !!!

Starring

Vivek Oberoi .......... Maya Dolas

Sanjay Dutt .... ......ACP Aftab Ahmed Khan

Tusshar Kapoor .... Dilip Buva

Sunil Shetty .......... Kaviraj Patil

Director : ................Apoorva Lakhia





Apoorva Lakhia has a fascination for making stylistic films. His latest flick ‘Shootout At Lokhandwala’ is a gritty recreation of the real-life shooting encounter between cops and gangsters in Mumbai in 1991. The film has a very raw and rugged look. At times it gets surreally dark and very violent. And after a while all the bloodshed and gore begin to get to you.



The film is not just about the shootout incident on the fateful summer day in Lokhandwala in 1991. It goes deep into the lives and minds of gangsters Maya Dolas, his sidekick Dilip Buwa and their three colleagues. It also focuses on the way cops function to nab the dreaded criminals, putting their own lives on the line.



One good thing about ‘Shootout’ is that it doesn’t take sides. It attempts to objectively present the facts of the incident, along with the events leading to it, from both the perspectives of cops and gangsters.



On the side of the cops, the central figure is ACP Aftab Ahmed Khan (Sanjay Dutt), the officer-in-charge of the entire operation to flush out the gangsters from a Lokhandwala flat. Supporting Khan in this mission are two brave cops: Kaviraj Patil (Sunil Shetty) and Javed Shaikh (Arbaaz Khan).



On the side of the gangsters, the central figure is Maya Dolas (Vivek Oberoi), a fearless, trigger-happy gangster who rose in the underworld through the sheer dint of his grit. Maya’s sidekick Dilip Buwa (Tusshar Kapoor) is dreadful but also humane.



The movie’s story, allegedly based on “true rumours”, establishes that the shootout in Lokhandwala wasn’t a random, isolated incident but was the culmination of a build-up of a series of incidents. The movie also shows how tough the job of cops is when they have to leash the trigger-happy gangsters within the powers given to them by law.



Sanjay Dutt is competent in playing the role of ACP A A Khan. Amitabh Bachchan gets shadowed in the film’s huge cast ensemble but still leaves an impact in the last few reels. Sunil Shetty manages not to ham. Arbaaz Khan is strictly okay while Abhishek Bachchan has a very miniscule role.



On the flip side, Vivek Oberoi is convincing enough playing the role that is in parts similar to his debut performance as Chandu in ‘Company’. However, Vivek’s Maya is sinister, ruthless, fearless and tempestuous.



Tusshar Kapoor is convincing, while other actors like Rohit Roy, Shabbir Ahluwalia and Aditya Lakhia stay on the sidelines.



Director Apoorva Lakhia pays attention to the details but misses out on certain points. The cops are shown without bulletproof jackets while encountering the gunmen. The gangsters’ phone lines aren’t jammed till the dying moments of the long encounter. Also the movie has some unnecessary songs that slacken the story’s pace.



The female actors have very little scope in this film but Amrita Singh stands out with her intense performance. Dia Mirza hardly sounds and acts like a journalist. Aarti Chabria gets a moment to show her acting (besides her dancing) in the second half.



‘Shootout At Lokhandwala’ has too much violence, bloodshed and gore. It is clear that the film’s makers want the movie to hit hard at the audience. Lakhia joins the pieces of the film’s story through a series of flashbacks. There are some emotional moments to lend a raw sentimentality to the flick.



All in all, ‘Shootout’ is not bad for watching once.







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